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July 2023

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Our journey through the glittering world of the Greville Bequest continues with a pair of jewels handed over early on to the future Queen Elizabeth II: the Diamond Chandelier Earrings.

Royal Collection Trust

The remarkable earrings are a showcase of the different diamond cuts offered by skilled artisans in the first half of the 20th century, and they evolved over a period of several years before reaching their current and final form. Mrs. Greville ordered the first iteration of the earrings from Cartier in December 1918, just after the end of World War I. In The Queen’s Diamonds, Sir Hugh Roberts describes the original pair as “fancy-cut brilliant drop earrings.”

Almost four years later, in September 1922, Maggie returned to Cartier to have the earrings revised. Twelve more diamonds—six marquise-cut stones and six “baton brilliants,” according to Roberts—were used to lengthen the earrings. But that wasn’t the final stop for these earrings. Greville again took them back to Cartier in February 1929, and ten more diamonds were added, producing the chandelier-style earrings that you see pictured above. The ultimate effect, to quote the Royal Collection Trust, is “a lexicon of modern diamond cuts.” These include a trio of pair-shaped diamond pendants, plus diamonds in baguette, baton, emerald, half-moon, trapeze, and square cuts.

 

Grand Ladies Site, Wikimedia Commons

Mrs. Greville famously bequeathed her jewelry to Queen Elizabeth (the Queen Mother) on her death in September 1942, and when the tin trunk containing the jewels arrived at Buckingham Palace the following year, the chandelier earrings were included in the glittering haul. We’ve previously discussed Elizabeth’s sensitivity regarding the unexpected jewelry windfall—mindful of public opinion, especially in a time of war, she endeavored to keep the details of the immense bequest as quiet as she possibly could.

Eventually, after the war’s end, Elizabeth began wearing some of the pieces from the bequest in public. But, as you might expect, it seems that some of the pieces left by Mrs. Greville weren’t to Elizabeth’s taste, or didn’t really suit her. With her husband, King George VI, she decided to pass some of the pieces along to their daughters to mark major celebrations and occasions. Procuring new jewelry pieces during that era of war and austerity was a challenge anyway. When Bertie was looking for a bejeweled birthday present for Princess Elizabeth in 1944, Queen Elizabeth wrote to Queen Mary about the difficulty of finding something suitable: “It is almost impossible to buy anything good, but he may find something secondhand.” (He did: the Aquamarine Clips, which had originally been purchased by his brother, the late Duke of Kent.)

The best and most fiscally-sound secondhand solution was to search within existing royal collections to find jewelry gifts. Queen Elizabeth often liked to pass along jewels that she’d worn in her younger years that no longer suited her. But when Princess Elizabeth married Prince Philip of Greece and Denmark in November 1947, something grander was called for. The Greville Bequest answered that call. The grand, impressive diamond chandelier earrings were among the jewels offered by the King and Queen to their daughter to celebrate her wedding. The earrings weren’t a style favored by the elder Elizabeth, but they would certainly look beautiful on a young, modern princess.

 

PA Images/Alamy

There was one problem: the chandelier earrings were made to be worn by a woman with pierced ears, and Princess Elizabeth’s ears were not pierced. For the first few years after the royal wedding, the earrings were relegated to a place in Princess Elizabeth’s jewelry box. But shortly before her accession, in the summer of 1951, she made the decision to pierce her ears after all. In her early book on the Queen’s jewelry, Sheila Young noted, “Just before she visited Canada in 1951 Princess Elizabeth had her ears pierced.”

Once Elizabeth’s ears were pierced, the diamond chandelier earrings were quickly incorporated into her regular gala jewelry rotation. The opportunities to wear grand jewels increased exponentially a few months later, when she became Queen Elizabeth II. Here, she wears them with the Nizam of Hyderabad Suite for the first Royal Variety Performance of her reign in the autumn of 1952. The press took notice of the jewels, too. Early articles on her jewelry from the 1950s note that the Queen “frequently wears diamond chandelier earrings given to her by her parents.”

 

Ricardo Thomas/Gerald R. Ford Presidential Library and Museum/NARA/Wikimedia Commons

In her younger years, the earrings were staples of her collection. She liked to pair them with other sleek, modern jewels, including Queen Alexandra’s Kokoshnik and the Diamond Festoon Necklace (worn her during a dinner at the White House in July 1976). As time went on, though, the Queen moved on to different (often shorter) earring styles.

Though HM wore the earrings less frequently, royal jewel historians remained interested in the unusual and striking chandelier earrings. Writers producing work in the 1980s and 1990s, however, didn’t have access to the full story behind their provenance. The Queen Mother and the Queen both kept the origins of the earrings quiet, and writers like Suzy Menkes and Leslie Field identified them simply as a wedding gift from King George VI and Queen Elizabeth. Field dubbed the jewels “the King George VI Chandelier Earrings.”

 

Chris Jackson/Getty Images

At the dawn of the 21st century, the royals became more relaxed about discussing the Greville provenance of numerous royal jewels. Though they still have not made public a complete inventory of the bequest, numerous exhibitions and publications by the Royal Collection Trust have revealed the Greville origins of jewels like the chandelier earrings.

Around the time that they were being exhibited to celebrate the Queen’s Diamond Wedding Anniversary (in 2007) and Diamond Jubilee (in 2012), the Queen unexpectedly wore the chandelier earrings in public once more. She paired them with the Girls of Great Britain and Ireland Tiara, Queen Alexandra’s Diamond Collet Necklace, and Queen Victoria’s Diamond Jubilee Brooch during a royal tour of Canada in the summer of 2010. I’d love to see these earrings come out of the vaults again soon—wouldn’t they look fabulous on the Duchess of Cambridge?

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Spend five minutes sparkle-scrolling on Instagram and you’re bound to encounter more than a few vendeuses specializing in vintage charm jewelry, many of them 20- and 30-somethings. But just as Julia Child paved the way for Martha Stewart, and Stewart paved the way for legions of “lifestyle experts,” there is an OG purveyor of vintage charm jewelry that has been specializing in this category for 20 years.

In 2002, the mother-and-daughter team of Leslie Slutsky and Lisa Feldkamp launched their business, originally called C.H.A.R.M.—an acronym for Charms Have a Real Meaning—sourcing and selling vintage charms on a dinky Y2K-era website.

By 2004, they’d established a build-your-own charm bar at Bergdorf Goodman in New York City.

And in 2005 the “charmtrepreneurs” appeared in a book published by Harry Abrams titled The Charm of Charms. (Fun fact: I was a kind of unofficial research/editorial assistant on that book, working in coauthor Ki Hackney’s home on the Upper East Side every day after my full-time job as a young editor at Bridal Guide magazine—six months of double-shifting, but I learned so much and still recognize some of my turns of phrase that made the final cut!)

Bergdorf hosted the book launch party. By then, the company, now known as Charmco, was regularly helping the posh department store’s clients curate beguiling charm assortments to affix to bracelets—extravagant jumbles of mid-century glamazons and droll little trinkets in the shapes of elephants, padlock hearts, and cuckoo clocks.

Soon a global fan base began to emerge and online sales took off. “Clients downloaded a questionnaire about themselves to fax back to us, so we were able to reach people all over the world looking to build something that honored their or their loved ones’ life journeys,” says Feldkamp.

The early-2000s timing plays a role in their success story, according to Feldkamp. There was definitely something in the ether that revived the culture’s fascination with charms and charm bracelets: “It was in the wake of Sept. 11, 2001—in New York City—and people were really taking account of what was important to them and focusing on the most meaningful connections,” she says. “Since charms carry so much personal significance and celebrate life in such a specific way, it was the perfect time to make bespoke charm bracelets for people.”

The mother-and-daughter team behind Charmco (née C.H.A.R.M.) in the company’s infancy 

In honor of its 20th anniversary, I explore the “charmed life” of this unique brand in a conversation with Feldkamp below.

Charms, whether vintage or new, are hotter than ever right now. Do you see any parallels between where the culture was in 2002 and where it is in 2022?

Yes, absolutely. Things have changed over the past 20 years and yet we are in another time of great turmoil and reflection. Jewelry has always reflected its time in history, and the popularity of charms fits into the current drive to be expressive and personal. We feel very lucky to have survived and thrived throughout the pandemic. The spring of 2020, we made more graduation gifts than ever before. During the holiday season we could barely keep up with gift orders. People want to invest in something meaningful and built to last. Ask someone about each and every charm they wear and the joy of these little talismans becomes clear. Nothing tells your story like a charm bracelet.

There are so many newbie vintage charm sellers in your lane right now—what do you think makes you stand out as a brand in a sector that currently seems somewhat saturated?

Instagram is a charm wonderland with so many vendors selling select groupings of vintage and antique charms. However, our company is built to last: Not only do we have a huge vintage vault, which has been lovingly collected over these past 20 years, but we design new gold charms with the same eye to detail and movement of our vintage collection and add new styles every month. We wanted to create a brand that clients could rely on to buy a gift for their loved one every holiday, birthday, or just because—and always be able to find that next perfect charm to add to their collection.

Is there a charm type that has been a constant best seller for you all these years?

If we can engrave it, it’s a best seller. People love the bespoke nature of the engravables in our collection. Whether it’s a heart, a classic boy or girl profile, or a dog bone, people want to celebrate that loved one and mark their name in gold. Our COVID mask charm has definitely proved to be a winner over the past two years—people have engraved some hilarious and non-print-worthy things on the back!

Face mask charm in 14k gold, $195

Have you had to adjust your curation strategy/sourcing channels at all in recent years? Is it easier or harder to find goods right now?

Honestly, many dealers and people looking to divest of their personal pieces find us through our website or Instagram to sell their charms. We have an office on 47th Street right in the jewelry district, and many dealers refer to us as “the charm ladies” when we walk by. We do have to be disciplined about buying vintage, as prices have skyrocketed both with the price of gold and the popularity of charms.

Over the years, how have you had to adjust your marketing strategy to accommodate the needs of your customers?

Instagram and Facebook have done much of the heavy lifting for us. Our customers have gotten younger and now span a great age range. We make gifts for bat mitzvahs and gifts for 80th birthdays. I think the trend to layer charm necklaces has made buying charms more relatable for younger clients, who maybe wouldn’t go in for a full bracelet but love the ease and casualness of a waterfall of charm necklaces. We currently sell charm bracelets and charm necklaces in equal measure.

Charmed I’m sure: Within the Charmco collection, 14k gold bracelets are $495–$,3500; 14k gold necklaces are $175–$2,250; and the charms themselves are $125–$3,250 each

Roses and thorns! I’d love to know some of the triumphs and some of the missteps you have encountered along your path to success.

Rose: We’re a mother/daughter business and we still get along (most of the time!). Thorn: We should have moved from a home office to a proper work space sooner than we did. I take enough work home mentally, it’s really nice to have the divide and keep most of the work where it belongs.

Do you think consumer enthusiasm for the charm category will plateau?

I don’t see any reason for the enthusiasm to die down. No matter what’s on trend or what influencers are wearing, charms are personal storybooks. They are more than fine jewelry— although they bear a value in gold—they have emotional value, and it’s hard to beat that.

Are there any customer stories that have stayed with you through the years?

There have been so many great stories! We really get to know our clients and enjoy helping them curate the perfect necklace or bracelet. It’s moving to work with someone who has inherited a meaningful charm bracelet and help them rework it so it can be cherished all over again. A few years ago, we did a project for a mother who was celebrating her daughter’s news that she was in remission for breast cancer. That bracelet carried a lot of joy.

 Looking ahead, what are your goals for the future of your business?

Honestly, more of the same! I think we will eventually include 18k gold charms in our collection and maybe even platinum one day. We are always editing and always adding styles. We want to bring the best-quality charms at a reasonable price, and I think we are succeeding.

 

Top: Lisa Feldkamp (left) and Leslie Slutsky in 2004 as seen in The Charm of Charms (photo courtesy of Jade Albert); this vintage gold bracelet and charms have all sold, but see similar items here and here.

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When you don’t have a yacht, you have a yacht rock playlist to make you feel like you’re living an endless, gin-and-tonic-soaked summer at sea (in your best one-shouldered Halston to show off that tan).

And when you can’t get to Nantucket, the famously posh island off the coast of Massachusetts, you hit up designer and retailer Katherine Jetter, owner of the Vault Nantucket, to find out what the season is turning up in terms of trends.

I’ve checked in with Jetter every summer for at least the last few years for: 1) a little luxury contact high such that my own New England surroundings don’t really approximate, and 2) a sense of any trends to watch this fall and holiday.

“Color is everywhere this summer,” Jetter tells JCK. “Neon yellow is a big hit and it is making us all so happy! Cadar feather earrings always sell well during the summer. Floating diamond necklaces by Graziela are another great beachy item. Other brands that are doing particularly well are Melissa Kaye, Robinson Pelham, Fernando Jorge, and a new one for us, Ondyn.”

Katherine Jetter’s own opal and electric enamel pieces are getting a “great response,” according to the designer/retailer.

“The trend continues to be a lot of layering, a lot of stackable bracelets, stackable rings, tennis necklaces—they are a thing of the ’80s that have suddenly come back and everyone wants them. And people continue to want to put more and more holes in their ears,” she says.

Hot summer seller at the Vault: Rainbow gemstone chokers by Diane Kordas

“Moritz Glik’s collection has been exceptional this season,” says Jetter.

Cadar feather earrings

Graziela floating diamond necklace

Despite the onset of the high season on Nantucket, in June Jetter was able to get away to the Las Vegas jewelry shows, showing her own work with ViewPoint showroom and scouting for new talent to carry in her store. “I really enjoyed discovering some new collections in Vegas, like Anna Maccieri Rossi, and I am also in love with from Vram—the movement and workmanship of his pieces is exceptional.”

Vram cocktail ring

Other new additions to the store include Dru and Walters Faith.

“I think Dru has a really deep meaning with her collection, and I love all the different messages, and I love what the designer is all about,” says Jetter.

“Walters Faith are two sisters who when we all started out in the business, we used to do at-home trunk shows together,” says Jetter. “We rediscovered each other this year, and it was fun to bring my friends back into the mix.”

But perhaps the most exciting “happening” on island this summer is the debut of Jetter’s new Lady of the Rings line, a seven-piece signet ring collection crafted in 18k yellow gold, etched with a unique symbol, and bordered with baguette diamonds. “Never before has my work felt so personal, and I am so excited to introduce this collection to the world,” says Jetter.

Silvia Furmanovich created a custom marquetry box to house the Lady of the Rings collection in its entirety. Priced at $2,500–$3,800, a portion of the proceeds will be donated to the Nantucket Historical Society.

To celebrate the launch of Lady of the Rings—and to welcome designer Fernando Jorge, who flew in from London for a trunk show at the Vault—in July, Jetter organized a special event and trunk show for select friends and clients. The luncheon featured historical jewelry artifacts that were specially brought in by the Nantucket Historical Association’s chief curator, Michael Harrison; Jetter and Jorge joined him and Moda Operandi’s director of fine jewelry Abby Huhtanen in a panel discussion that focused on the historical significance of gifting jewelry to loved ones and how travel—and global perspectives—can spark creativity in innumerable forms.

The Vault Nantucket luncheon was held in the gardens of historic venue the Greater Light and showcased a selection of Jorge’s jewels as well as pieces from Jetter’s own collection.  

And there’s more merriment to come. Jetter will maintain a bustling schedule of in-store events through August with a trunk show scheduled for this week (Hoorsenbuhs) and next (Silvia Furmanovich).

“We are big fans of Silvia Furmanovich [whose earrings are shown above],” says Jetter.  Now all I need is a yacht to zip me up the coast. But for now, this dazzling ACK dispatch will have to do.

 

Top: Designer Fernando Jorge and designer/retailer Katherine Jetter at a special event on Nantucket, Mass., in July.

 

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One of the many surprises awaiting me when I moved to coastal Connecticut is that when I turned on the FM radio a few Hamptons stations would come in loud and clear, a reminder that I was not so far from my previous home of New York after all (at least as the crow flies). And on very clear days, when I’m biking along Knollwood Beach, I can even make out the North Fork of Long Island across the sound.

I suppose whether you’re in the Hamptons or New England at this precise moment, we’re all doing a version of the same thing—summering as a verb for the most part, unless you’re a local. Take fashion designer Cynthia Rowley, who has been one of Montauk’s most famous residents since 1999. Her connection to the eastern tip of the area’s South Fork doesn’t just give her new collaboration with the jewelry brand Loquet London context but a whole lot of credibility to boot.

The collection features six different charms in 18k gold and diamonds and colored gemstones, all corresponding to a marine life theme. Each is meant to be added to one of Loquet’s signature crystal lockets as part of a curated jumble of words, trinkets, and stones (see photo at top).

“Being an avid surfer and having a home in Montauk for decades, the ocean has inspired countless of my designs, from our popular wet suits to many of our sea-themed prints,” said Rowley in a prepared statement accompanying the official announcement. “I have the fondest memories of living at the beach and being with my daughters, and I wanted to incorporate that nostalgic part of my life into the charms, hoping they spark a bit of joy and are reminiscent of cherished times for all that wear them.”

From left: 18k gold turtle with tsavorite; 18k gold lobster with diamonds; 18k gold seashell with rainbow sapphires; 18k gold palm tree with tsavorite and a single brown diamond; and 18k white gold dolphin with diamonds, all $330 each. (Not pictured is an 18k white gold seahorse with blue sapphires.)

Sheherazade Goldsmith, founder of Loquet London, says she approached Rowley with an opportunity to collaborate because “I am a massive admirer of hers. It was a dream come true that she said yes. Cynthia had complete creative control and designed all aspects of the charms, including what gemstones we used.”

Goldsmith also has a personal affinity for the chosen motifs because prior to starting Loquet London, she was an environmental journalist and continues to have a deep respect for oceans, beaches, and the life that inhabits them.

As such, Loquet London will donate a percentage of proceeds from the collection to the Surfrider Foundation, a nonprofit organization dedicated to the protection and enjoyment of the world’s oceans and beaches through a powerful activist network.

Top: “Every charm we create is sentimental and has meaning, and Cynthia’s collection evokes a mix of wanderlust, serenity, and wistfulness,” said Loquet London founder Sheherazade Goldsmith in a statement. Crystal locket and chain in 18k gold with assorted charms, $3,085

 

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