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2023

Organic Futons

Where is all the fresh talent hiding out? I’ll tell you this: On Tuesday and Wednesday about 30 jewelry designers that fit this description were all gathered under one roof at the Palais Vivienne in the heart of Paris. They were participating in a special trade show event known as the Precious Room by Muriel Piaser that takes place twice a year to coincide with Paris Haute Couture Week.

There is an international flavor to the collective of emerging names, as well as established designers who are not as well known in the United States and a few high jewelers as well (hello, Harakh).

Many Precious Room participants hail from, and manufacture their product, in France, such as Sophie d’Agon, Vever, and Isabelle Langlois—this alone makes me wish I were there to see and discover. I know that retail buyers are perpetually hunting for the next fresh voice, and this event might be one to make time for (there will be another edition in January 2023). And designers seeking a venue and peers that match their ultrachic, singular, and creative visions might want to look into adding Precious Room to their trade show schedule.

Precious Room by Muriel Piaser launched in 2019, and it functions as a trade show and  design collective in one. But it’s super, super intimate and selective—Piaser told me she curates the presenting designers through “a lot of scouting, personal tastes, and trend watching” and that she is “focused on the mix and match of established and famous brands and young designers.”

At the end of the first day of this most recent edition, Piaser reached out to me via WhatsApp to let me know that the event had “a very good energy” and reported attendance from top buyers from Printemps, Galeries Lafayette, and Bloomingdale’s, as well as the buying offices of international showrooms such as Mint in New York and HP France in Tokyo. Influencers including @laurainghirami were also in attendance.

A great turnout, to be sure. Which may be why designer Alexandra Abramczyk told me, “I believe that it’s an unmissable event in Paris now,” adding that it was the ultimate “rendezvous for brands to connect and exchange in Paris.”

Clockwise, from top left: Bague Energie ring in 18k gold with sapphires, tsavorites, and diamonds, EUR12,500; Soul hoops in 18k gold with sapphires, blue topaz, amethysts, tsavorites, and diamonds, EUR20,900; and heart signet rings in 18k gold with carnelian, turquoise, rutilated quartz, moonstone, tiger’s eye, malachite, and labradorite with colored gemstone and diamond accents, EUR3,600–EUR4,300 each; all Alexandra Abramczyk

Harakh Mehta of Mumbai-based Harakh was drawn in to participate because of the Precious Room’s proximity to the Paris Haute Couture fashion shows. “Previously, we have done events [i.e., Le Bal Paris] where haute couture labels were showcased alongside our signature diamond jewelry, and the response has been terrific,” he says. “We now want to take this a step further and have a stronger presence and association with the haute couture community, and the Precious Room seemed like the perfect opportunity to create awareness of our brand amongst this unique community as well as seek their feedback and apply these learnings so we can continue to evolve and grow.”

Haveli necklace in 18k rose and white gold with 27.45 cts. t.w. diamonds, $211,500; Harakh

And so what did we miss? Here are some more highlights that Piaser shared with me. Maybe next time we’ll all be in the room where it happens!

Ginger, Georgia, and Gaia necklaces, earrings, and rings in 18k gold with sapphires, emeralds, lapis lazuli, rubies, turquoise, onyx, white diamonds, and salt-and-pepper diamonds, EUR875–EUR3,995 each; Sophie d’Agon

Butterfly ring in 18k yellow gold with sapphires, diamonds, rubies, and Roman mosaic, $12,700; Le Sibille

Mundus collection necklaces in sandblasted aluminum with citrine, topaz, amethyst, and spinel, prices on request; Studio C

From left: Fantastic Creatures Nymph necklace in gold with enamel and lab-grown diamonds, EUR19,500; Glorious Flower Gingko ring in gold with lab-grown diamonds, EUR2,890; both Vever

Assorted La Bonne Etoile rings in 18k gold and gemstones,  from EUR680; all Rosa Ma”itea

Emotion Coussin ring in 18k rose gold with green quarts, pink and green tourmalines, pink sapphires, and tsavorites, price on request; Isabelle Langlois

 

Top: Clockwise, from left: Jewelry by Portuguese brand Fiordy Studio; Fish necklaces in 18k gold with tsavorites, sapphires, amethysts, enamel, and topaz, EUR12,400–EUR20,500; Alexandra Abramczyk; and Haveli motif dangle earrings in 18k white gold with rose-cut and brilliant-cut diamonds, $11,300; Harakh

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Belgium’s Sparkling Royal Tiaras

by len

BENOIT DOPPAGNE/AFP via Getty Images

Today, the people of Belgium celebrate their National Day, so it seems like the perfect time to marvel at a sparkling survey of the royal family’s tiaras!

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The grandest and most important diadem in the Belgian royal collection is undoubtedly the Nine Provinces Tiara. Made in 1926 by Van Bever, the tiara was given to Queen Astrid as a wedding gift by the Belgian people. The piece can be worn in a variety of configurations and is even wearable as a necklace. Queen Mathilde is the current wearer of the tiara, and she’s pictured here in the full jewel at the 75th birthday celebrations for Queen Margrethe II of Denmark in April 2015.

 

Pascal Le Segretain/Getty Images

Queen Mathilde’s second major tiara, the Brabant Laurel Wreath Tiara, belongs to her personally. The jewel was presented to her as a wedding gift in 1999 by a group of Belgian aristocrats. But it’s much older than that: it’s an antique diamond tiara, made in 1912 by Hennel and Sons. It’s also convertible and can be worn as a necklace (as you’ll see below!). She’s wearing the tiara here at the princely wedding reception in Monaco in July 2011.

 

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Queen Mathilde is also the present wearer of a fantastic little sparkling jewel, the Wolfers Tiara, that comes from the collection of the late Queen Fabiola. She received the convertible necklace/tiara as a wedding gift on behalf of the diamond industry of Antwerp in 1960. More than 200 diamonds are packed into the petite piece, which Mathilde has worn in both its tiara and necklace configurations. She wears it here during an official visit to Poland in October 2015.

 

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Queen Paola of Belgium is the owner of another fantastic Belgian royal heirloom, Queen Elisabeth’s Art Deco Bandeau. That geometric sparkler, likely made in the early decades of the 20th century, originally belonged to Queen Elisabeth of Belgium. Queen Paola received the tiara from her father-in-law, King Leopold III, and it’s been her go-to jewel for more than six decades. Above, she wears it during the celebrations of the royal wedding in Luxembourg in October 2012. Today, though, she loans it to other family members. It’s been worn by Queen Mathilde, Princess Astrid, and Princess Elisabetta.

 

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It’s a little tough to see here, but Queen Paola also sometimes wore one of her diamond necklaces as a small tiara, especially in the 1960s. The piece is a delicate Y-shaped necklace of diamonds, which has a pointed peak when worn in tiara form. Queen Paola wears the tiara setting here at a royal reception in October 1967.

 

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The future Queen of the Belgians, the Duchess of Brabant, debuted a brand-new tiara at a gala in Norway this June. Princess Elisabeth’s Diamond Tiara is an antique jewel that was purchased for her by her parents, King Philippe and Queen Mathilde, as an 18th birthday present. Some have guessed that it may be a diamond tiara that originally belonged to a British aristocratic family (or an identical piece from the same jewelry firm).

 

Mark Renders/Getty Images

King Philippe’s sister, Princess Astrid, frequently wears a tiara that her husband, Prince Lorenz, inherited from his family. The Savoy-Aosta Tiara is a diamond floral sparkler that was probably made for Princess Anne, Duchess of Aosta. Lorenz inherited the tiara through his mother, Archduchess Margherita of Austria-Este. Princess Astrid wears the tiara here in Brussels in October 2005.

 

Mark Renders/Getty Images

Princess Claire, King Philippe’s sister-in-law, has a pair of tiaras in her jewelry collection. This small diamond sparkler is her wedding tiara. The jewel was her wedding gift in 2003 from her new parents-in-law, King Albert II and Queen Paola. Here, she wears the tiara during a banquet in honor of the President of Portugal in October 2005.

 

Pascal Le Segretain/Getty Images

Princess Claire also often wears a diamond and pearl tiara, which has a touch of Art Deco style in its design. You’ll also spot fleur-de-lis elements in the piece. She wears the jewel here at the princely wedding reception in Monaco in July 2011.

 

Keystone Press/Alamy

There are also a few tiara mysteries lingering in Belgium. Many are hoping that the Spanish Wedding Gift Tiara, Queen Fabiola’s 1960 wedding present from Francisco and Carmen Franco, is still in the royal vaults today. The convertible jewel can be worn in coronet, wreath, and necklace settings, and various colorful gems can be placed in the center of each leaf element. She wears the tiara here in its coronet form in 1963. It hasn’t been seen in public since Fabiola’s death in 2014.

 

Wikimedia Commons

And then there’s the mystery of the Stockholm Tiara. The modern diamond and pearl jewel was Queen Astrid’s wedding present from the people of Stockholm in 1926. Above, she wears the tiara at the Vatican in January 1930. Its whereabouts remain unknown.

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When you start a series on the jewels of the Greville Bequest, there’s really nowhere else to begin but this sparkling signature jewel: the Greville Tiara.

Grand Ladies Site, Wikimedia Commons

Earlier this week, we discussed the life of Dame Margaret Greville and her surprise decision in 1942 to bequeath her jewels to Queen Elizabeth (later the Queen Mother). We still don’t know exactly how many jewels were in the black tin trunk that was delivered to Buckingham Palace after Mrs. Greville’s estate went through probate in 1943, but we know that one of the most majestic pieces inside was a grand diamond tiara with a distinctive honeycomb pattern.

The tiara had been designed for Mrs. Greville by Lucien Hirtz of Boucheron in Paris in 1921. It was a complete overhaul of another diamond tiara from her collection, which had been made by the same firm 20 years earlier. (You can see a picture of that original tiara, which had a palmette design, in Sir Hugh Roberts’s The Queen’s Diamonds.) Hirtz used the diamonds from that original tiara to fashion a new, modern diadem with an eye-catching geometric design. Roberts called the resulting tiara, which had a kokoshnik-style silhouette, “one of the most striking and unusual of the jewels inherited from Mrs. Greville by Queen Elizabeth.”

 

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Queen Elizabeth inherited the grand Greville jewels in the middle of World War II, so naturally she did not wear them in public until after the conflict’s end. Roberts suggests that she first wore the Greville Tiara, as it is known by the royal family, in public for a state ball during the family’s royal tour of South Africa in March 1947. Above, she wears the kokoshnik-style version of the honeycomb tiara for another gala event, held during a state visit by Queen Juliana of the Netherlands to Britain in 1950. On that occasion, she paired the tiara with another fabulous Greville inheritance, the Festoon Necklace. (Behind her, Princess Margaret wears Queen Mary’s Diamond Lozenge Tiara.)

 

Chris Jackson/Getty Images

In 1953, Queen Elizabeth (now the Queen Mother) decided to make her own alterations to the Greville Tiara. She turned to Cartier to add additional height to the tiara by reconfiguring some of the diamonds from the top line of the piece. Four round diamond brilliants and a marquise-cut diamond were added to the tiara as part of the slight redesign. (The newer diamonds can be distinguished from the original ones by their setting; the original diamonds are surrounded by a millegrain setting, while the newer diamonds are not.) Roberts notes that the round diamonds were sourced from a brooch from Elizabeth’s collection that had been dismantled by Cartier four years earlier. The changes somehow made the already-imposing tiara even more impressive.

 

Chris Jackson/Getty Images

As we discussed earlier, the jewels that Elizabeth inherited from Mrs. Greville were her own private property, and she generally kept their provenance quiet. That meant that earlier jewelry historians often made erroneous claims about the source and creation of the jewel, largely because they had access to incomplete information. Both Suzy Menkes and Leslie Field, writing in the 1980s, argued that Elizabeth had had the entire tiara commissioned herself using a cache of South African diamonds given in 1901 to either King Edward VII or Queen Mary. Field wrote (incorrectly) that Elizabeth had chosen the tiara’s design herself. Menkes called the diadem “the last grand tiara made for the English royal family.”

Both Menkes and Field were incorrect in their understanding of the tiara’s provenance, partly because Elizabeth was so tight-lipped about the Greville bequest pieces in general. By the end of her very long life, though, she was more comfortable sharing some information about the tiara’s origins. In 1997, the Queen Mother began loaning some of her personal jewels, including the Strathmore Rose Tiara, to exhibitions curated by Geoffrey Munn, beginning a collaborative relationship with the jewelry historian. In his landmark book, Tiaras: A History of Splendour, Munn clarified some of the details about the Greville Tiara, correcting earlier misinformation. He wrote that the “openwork diamond tiara” did indeed come from the Greville bequest, adding the accurate information that the piece was constructed by Boucheron for Mrs. Greville and later altered by Cartier for the Queen Mother. About a decade later, Hugh Roberts’s book on The Queen’s Diamonds also offered a final, solid Greville provenance for the piece.

 

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After the tiara was returned from Cartier, the Queen Mother made it one of her most-worn tiaras for the rest of her life. (The only other diadem she wore in public during her long widowhood was Queen Victoria’s Indian Circlet.) Above, the Queen Mother wears the altered Greville Tiara for a Women’s Institute birthday celebration in November 1960. (She’s also wearing the Greville Peardrop Earrings, Queen Alexandra’s Wedding Necklace, and her Silver Anniversary Flower Brooch.)

 

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The Queen Mother paired the tiara with the Greville Emeralds and Queen Victoria’s Diamond Fringe Brooch for a gala performance during the Belgian state visit in May 1963.

 

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In April 1972, for another state visit by Queen Juliana of the Netherlands to London, the Queen Mother again paired the tiara with the Greville Emeralds and the Fringe Brooch. (Juliana is resplendent here in sapphire and diamond jewels from the Dutch royal collection, including Queen Emma’s Sapphire Tiara and Necklace.)

 

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The Queen Mother often wore the tiara (which has a relatively lightweight platinum setting) for concerts and film premieres. Here, she wears the tiara with the Greville Peardrop Earrings, Queen Alexandra’s Wedding Necklace, and Queen Mary’s Diamond Choker Bracelet for the premiere of A Passage to India in March 1985. Beside her, Princess Anne wears pearls, and Diana, Princess of Wales wears emeralds.

 

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Impressively, the Queen Mum kept wearing the tiara right up until the very end of her incredible life. Here, in December 1998, she wears the tiara with the Greville Peardrop Earrings and three strands of the Greville Festoon Necklace during the German state visit to Britain. She’s pictured here arriving for the state banquet at Windsor Castle with the then-Archbishop of Canterbury, George Carey. Can you believe that she’s 98 years old here?!?

 

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When Queen Elizabeth the Queen Mother passed away in March 2002, the Greville Tiara (and all of her jewels) were left to her daughter, Queen Elizabeth II. It’s perhaps no surprise that the present Queen has never worn her mother’s diamond tiara—the piece must have been so indelibly associated with the Queen Mum for her. But when another new member joined the family three years later, the Queen handed the tiara over to her.

 

Chris Jackson/Getty Images

The Duchess of Cornwall, the Queen’s daughter-in-law, is the present wearer of the Greville Tiara. She doesn’t own the tiara personally—The Queen’s Diamonds revealed that the Queen has offered the piece to Camilla as a long-term loan. One of her earliest public appearances in the tiara came in March 2006 at a state banquet in honor of the President of Brazil. On that occasion, she paired the tiara with the earrings and necklace from her pear-shaped diamond demi-parure.

 

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There must be something about this tiara, as it is now also the Duchess’s most-worn gala jewel. The piece must be comfortable to wear, and we can see that it coordinates nicely with lots of different ensembles and accessories. Here, Camilla wears the tiara for the Commonwealth Heads of Government Banquet in Uganda in November 2007. She’s also wearing her pear-shaped diamond earrings, plus all five strands of the remarkable Greville Festoon Necklace.

 

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Here’s another view of Camilla wearing the tiara for another CHOGM Banquet, held in Sri Lanka in November 2013.

 

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Whenever Camilla attends a tiara event these days, whether it’s a state banquet or the State Opening of Parliament (pictured above, 2019), you can almost bet that she’ll be bringing the Greville Tiara along with her. Of all of the jewels from the Greville Bequest, this one so far is probably the piece with the most lasting royal legacy.

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